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Sunday, November 29, 2009

Nov. 29 - Giza's Cave Underworld Rediscovered


Dear Friends,
Paste the link if you don't receive the images/can't proceed to page 2.
Love and Light.
David

Giza's Cave Underworld Rediscovered - It is the Entrance to the Tomb of Hermes?By Andrew Collins


For December 2009 Author of the Month, the Forum is pleased to welcome back author and researcher Andrew Collins, presenting an article on the underworld of Giza, both literal and symbolic. Beneath the Pyramids Egypt's Greatest Secret Uncovered is the title of his latest book, evidence from which is featured in this exclusive Graham Hancock Forum article, Giza's Cave Underworld Rediscovered - It is the Entrance to the Tomb of Hermes?


Andrew Collins is a science and history writer, and the author of various books that challenge the way we perceive the past. They include From the Ashes of Angels (1996), which shows that the Watchers of the book of Enoch were shamans responsible for the Neolithic revolution, and that their homeland-the biblical Eden-was southeast Turkey, where archaeologists have recently found the oldest stone temple in the world; Gods of Eden (1998), which reveals that Egyptian civilization is thousands of years older than is conventionally believed; Gateway to Atlantis (2000), which demonstrates that Plato's Atlantis was located in Cuba and the Bahamas, and The Cygnus Mystery (2006), which argues that veneration of the Cygnus constellation was responsible for the world's earliest sky religions. Andrew, born in 1957, lives with his wife Sue near Marlborough, Wiltshire.

For more information go to
www.andrewcollins.com
On March 3rd, 2008 I entered a large, yet little understood tomb on the Giza plateau. It was a place I had explored a year earlier, and on that occasion I had found nothing of consequence - no hieroglyphs, no evidence of burials - just strange letterbox-like slots in the walls, where the mummies of embalmed birds might well have been left in honour of some local deity over 2,000 years ago. I had come here again to this neglected area of the plateau, some 806 yards (740 meters) due west of the Great Pyramid, following new information that was set to challenge everything we know about the evolution of Giza's famous pyramid field.

Fig. 1. Giza's Tomb of the Birds, designated NC 2 by George Reisner's team in 1939. They drew a rough plan of the site, but failed to record the presence of the caves.

British Egyptological researcher Nigel Skinner Simpson, a friend and colleague, had been studying the memoirs of Henry Salt (1780-1827), a former British Consul General in Egypt, rediscovered in the basement of the British Museum in 2005, and published two years later by the British Museum Press (Usick and Manley, 2007). Salt was an avid explorer and collector of Egyptian antiquities. What most excited Nigel was the brief but tantalizing mention of Salt and his employee, the redoubtable Italian explorer and former sea-captain Giovanni Battista Caviglia (1770-1845), entering a vast network of "catacombs" that stretched beneath the plateau, a story he had first seen mentioned, if only briefly, in an old biography of Salt (Halls, 1834). However, this had not said where the catacombs were located, only that they lay west of the main pyramid field. This time the information was much more specific, with the site of the catacombs alluded to on Salt's rather distorted plan of the plateau.

Fig. 2 - Henry Salt (1780-1827)

Inside the caves, Salt and Caviglia had journeyed for an estimated distance of "several hundred yards", crawling on hands and knees where necessary, before eventually coming across a spacious chamber that connected with three others of equal size, from which went various labyrinthine tunnels. Yet because the two men were unable to locate anything of value - no gold or treasure - Salt had given up the search, leaving his Italian colleague to continue on his own. This Caviglia did, taking one of these new cave tunnels for a distance of "300 feet further", before giving up himself.

What concerned Nigel most was the fact that no one in the Egyptological community had ever picked up on the significance of this account dated 1817, which describes an extraordinary cave complex existing beneath the Pyramids themselves.

Explorations at Giza

The next people to have possibly come into contact with these caves after Salt and Caviglia was the British explorer Colonel Howard Vyse (1784-1853) and his colleague, the engineer John Shae Perring (1813-1869). They would appear to have chanced upon the tomb containing the caves during their routine explorations of the plateau in 1837.

Vyse records how during their excavations there, his team carefully removed from its interior a mummified bird of great size(Vyse, 1840). Nothing more is known of what Vyse and Perring found here, although a detailed plan of the plateau prepared by Perring shows the tomb's deeply-cut façade in the rocky north cliff, with dotted lines indicating its interior compartments, next to which is the legend "Excavated tombs and pits of bird mummies" (see also Perring, 1839-40). Whether or not Vyse and Perring explored the cave system is debatable, although Perring's published plan does hint at the fact that they at least went beyond the tomb into the complex's entrance chamber.

After this time no one is known to have visited the rock-cut tomb until American Egyptologist George Reisner came here with his team in 1939, and designated it the identity NC 2, with two other smaller tombs, also found in the north cliff, becoming NC 1 and NC 3. At least two rough plans were drawn of NC2 by Reisner's team, although neither indicate the presence of the caves, a strange oversight in itself. Nothing was written about the tomb, although a comment on one of Reisner's plans offered the thought that it might date to the eighteenth dynasty of Egyptian history, c. 1575-1307 BC. It is a theory that could well have some merit, since the exterior façade is similar to that of at least one key tomb dating to the Amarna period. This said, their interiors are entirely different in style. Whatever the age of the tomb, it seems likely that access to the caves would already have been possible, since they most likely broke through into the plateau's northern cliff face, prior to them being used to create a new tomb.

Nov. 29 - 2012 the movie

Dear Friends,

You can watch this nonsense here...

http://www.youtube.com/user/MrStubes0210#p/u/14/aLLUB9E_cJg

Love and Light.

David

Saturday, November 28, 2009

Nov. 28 - UFO Videos

Dear Friends,

http://www.dailymotion.com/video/xbauyx_ufofireballsphere27112009_news

http://www.dailymotion.com/video/xbatbk_benign-galactic-friends_news

http://www.dailymotion.com/video/xbasig_beautiful-blue-flying-disc-multiple_news

http://www.dailymotion.com/video/xbampd_ovnis-england2009_news

Love and Light.

David









Nov. 28 - ClimateGate Who's Who‏

Dear Friends,


http://www.youtube.com/watch?v=Cu_ok37HDuE



Love and Light.

David



Nov. 28 - Erratic Moving Object That Changed Speeds Seen in Daylight Sky‏

Dear Friends,

http://www.ufosnw.com/sighting_reports/2009/rockawaynj11262009/rockawaynj11262009.htm


http://analuisacid.com/?p=4361#more-4361


And looks similar to this;

http://analuisacid.com/?p=4361#more-4361



Love and Light.

David


Erratic Moving Object That Changed Speeds Seen in Daylight Sky.

Photo and Enlargement of Object.
Photo and Enlargement of Object.

Rockaway is in Central New Jersey About 25 Miles Northwest of New York City.
Rockaway is in Central New Jersey About 25 Miles Northwest of New York City.

Date of Sighting: November 26, 2009
Time of Sighting: 3:15 PM EST
Location of Sighting: Rockaway, New Jersey (See Map)

Description: Around 3:15 in the afternoon we saw what looked like a star in the sky. It would move very slowly to the west then stop. It kept doing this until about 5 minutes later it started moving fast and we lost sight of it when it passed behind a tree. It looked very high up in the sky because some planes passed by and you could see it was beyond them.

Note: This case deserves the utmost attention. The photo by itself is compelling, but combined with what the witnesses saw makes it more intriguing. The westward movement, stopping, and speed change rules out conventional explanations (space station, balloons, airplanes, etc). The photo was taken with a high end camera (Canon EOS 20D digital camera). This is a SLR (single lens reflex) camera with a maximum resolution of 8.2 mega-pixels. The original photo has been edited by the witness to show the enlargement of the object. I don't believe that the photo has been changed beyond showing the enlargement. The original photo has been requested.

Ovni amarillo en foto de Brasil

Cortesía: Eli da Conceição Santos

Fotografía tomada en octubre de 2009.

El testigo apuntó su cámara hacia un paisaje que le pareció bello, en la carretera de Bahía, Brasil.

Intentó tomar la foto tres veces, pero la máquina se apagaba.

Carta de Eli Santos

Ana Luisa: Un amigo que vive aquí en Brasil (en Januária, MG), fue para Bahía al inicio de octubre de este año. Viajaba en auto. En la carretera vio un paisaje que le encantó y detuvo la marcha. Intentó tomar la foto en tres ocasiones, pero no pudo, la máquina digital se apagaba; entonces siguió su viaje.

Llegando a su casa constató que sí capturó una imagen, en la que se ve un objeto amarillo, ¿será una mancha en la lente?, se pregunta mi amigo.

bahia2009

Él me enseñó otras fotos de su paseo (el mar, la casa y los amigos), pero en ninguna se ve esa figura que parece un ovni, sólo en la del paisaje.

Quiero resaltar que no es un montaje, como algunos que lanzan por Internet.

bahia_recorte

Comentario.- En nuestra opinión es una fotografía auténtica. No tiene las características de una mancha. Puede ser un ovni, hasta que se determine su naturaleza analizando el original.

bahia_filtros

INICIO SIGUIENTE >>

esoteric



SUBTITLES IN ENGLISH, ESPAÑOL, PORTUGUÊS

Click upon the circle after the small square for captions

MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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